Becoming a metal smith was less than a direct path for me.
Like most of us, I began making art at an early age, and because I was encouraged, I continued to create. In my undergraduate work at Indiana University, I co-majored in the BFA sculpture program and psychology. Although this path was interrupted, I was able to reunite these passions in my clinical graduate degree, MAT, Master of Art Therapy.
After 18 years in private practice, I decided to retire and devote all my energy to the arts. I'm now 11 % in "jeweler" years and still forming my identity. Primarily self-taught, my work is based on formal concerns, design and function. Coming from a fine arts perspective, function is a new and important dimension for me. Coming from a psychological perspective, I make jewelry because of the intimacy the function allows. I use metal and stone (river rocks) because they are inherently strong materials. The combination of metal and stone allows me to integrate the industrial and organic elements of our world. These materials are rich in their historic value, and intrinsic to our growth as a civilization; their abundant character, separate or in relation to each other, offers me infinite possibilities as a language.
|Carolyn Morris Bach|
|Franchell Mack Brown|
|Fullerton and Bahr|
|Kathy Edwards Hayslett|
|Caryn L. Hetherston|
WORKS ON PAPER